"Harry Potter and the Sorcerer's Stone" (Credit: Warner Bros.) Chris Columbus recalled seeing a “haunted quality” in Daniel Radcliffe that convinced him the boy would be a perfect Harry Potter. While ...

Chris is a Senior News Writer for Collider. He can be found in an IMAX screen, with his eyes watering and his ears bleeding for his own pleasure. He joined the news team in 2022 and accidentally fell ...

"I look forward to seeing what they're trying to do with it," the filmmaker told PEOPLE Nicholas Rice is a Senior News Editor, Weekends for PEOPLE. He began working for the brand in 2020. Kevin Winter ...

He was already a fan of the colorful, dramatic landscapes painted by Chris Potter, the prolific, Santa Barbara–born artist who died suddenly at age 49 this past February. “Chris’s art really evoked an ...

Chris Columbus isn’t going back to Hogwarts. The filmmaker, who directed the first two “Harry Potter” movies and produced the third, shut down the possibility that he’s going to be involved in HBO’s ...

Chris Columbus, the celebrated American director of both Home Alone films, Mrs. Doubtfire and the first two Harry Potter films, has questioned the need to reboot the series with the upcoming HBO ...

Discover What’s Streaming On: Harry Potter director Chris Columbus says he has not spoken to author J.K. Rowling “in years,” and doesn’t agree with her controversial anti-trans political agenda. “I ...

During an appearance on the podcast The Rest is Entertainment (via The Hollywood Reporter), Chris Columbus, who helmed the first two Harry Potter movies, had some strong words about HBO’s version. “I ...

The director also addressed fans casting Cillian Murphy as Lord Voldemort. By Lexy Perez Senior Digital Editor and Producer “I think it’s a spectacular idea, because there’s a certain restriction when ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. There was so much we couldn't put in the films – they weren’t short, they were over two and a ...

Hailed by The New Yorker as “…the most remarkable virtuoso in the relatively un-chronicled history of his instrument,” Edgar Meyer’s unparalleled technique and musicianship in combination with his ...